{"id":60,"date":"2012-01-19T19:30:15","date_gmt":"2012-01-19T19:30:15","guid":{"rendered":"http:\/\/musiquemixte.sfam.org\/?page_id=60"},"modified":"2012-03-01T10:08:16","modified_gmt":"2012-03-01T10:08:16","slug":"liste-des-communications","status":"publish","type":"page","link":"https:\/\/musiquemixte.sfam.org\/?page_id=60","title":{"rendered":"Liste des communications"},"content":{"rendered":"

Miriam Akkermann,\u00a0Composing an instrument \u2013 improvising a composition. Analysis approach to David Wessel’s Contact Turbulents<\/em><\/a><\/strong><\/p>\n

Petra Bachrat\u00e1, Gesture based interactive musical models for analysis and composition of mixed music<\/a><\/strong><\/p>\n

Olivier Baudouin, Les Studies<\/em> pour trompette et bande (1974) de Dexter Morrill : une analyse facturale<\/a><\/strong><\/p>\n

Alain Bonardi, Analyser l\u2019orchestre num\u00e9rique interactif chez Manoury<\/a><\/strong><\/p>\n

Bruno Bossis, La notation de l\u2019\u00e9lectronique sur les partitions des musiques mixtes\u00a0: analyse relationnelle \u00e0 partir des indications \u00e9crites par les compositeurs<\/a><\/strong><\/p>\n

Gilles Cabanes, Lumina<\/em> d\u2019Ivo Malec : analyse morphologique et structurelle<\/a><\/strong><\/p>\n

Luca Cossettini, Angelo Orcalli, Writings forms and model in mixed spectral music: Jour, Contre-jour<\/em> by G\u00e9rard Grisey<\/a><\/strong><\/p>\n

Pierre Couprie,\u00a0Le projet New Multimedia Tools for Electroacoustic Music Analysis<\/a><\/strong><\/p>\n

John Dack, The mediating role of the piano in Karlheinz Stockhausen\u2019s \u2018Kontakte<\/em> f\u00fcr elektronische Kl\u00e4nge, Klavier und Schlagzeug\u2019<\/a><\/strong><\/p>\n

Fran\u00e7ois-Xavier F\u00e9ron, Guillaume Boutard, L\u2019(a)perception de l\u2019\u00e9lectronique par les interpr\u00e8tes dans les \u0153uvres mixtes en temps r\u00e9el pour instrument seul<\/a><\/strong><\/p>\n

Christophe Havel, Luis Velasco Pufleau, Le mat\u00e9riau sonore et le geste musical dans l\u2019analyse de la musique mixte<\/a><\/strong><\/p>\n

Philippe Lalitte, Narrativit\u00e9 et topiques de la musique mixte<\/a><\/strong><\/p>\n

Renaud Meric, Les \u0153uvres mixtes d\u2019Agostino Di Scipio<\/a><\/strong><\/p>\n

Alexander Mihalic, Analyser la musique mixte<\/a><\/strong><\/p>\n

Rodolphe Raymond-Champagne, De l\u2019orchestration de la musique \u00e9lectroacoustique<\/a><\/strong><\/p>\n

Makis Solomos, Analyser la musique mixte de Xenakis. Une premi\u00e8re approche<\/a><\/strong><\/p>\n

No\u00e9mie Sprenger-Ohana, Analyse du processus de composition mixte chez Luis Naon : le cas de Claustrum<\/em><\/a><\/strong><\/p>\n

Laura Zattra, Ian Burleigh, Sallis Friedemann, Seeking virtual voices in Luigi Nono\u2019s A Pierre<\/em> (1985) through a study of a performance and the creative process<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Miriam Akkermann,\u00a0Composing an instrument \u2013 improvising a composition. Analysis approach to David Wessel’s Contact Turbulents Petra Bachrat\u00e1, Gesture based interactive musical models for analysis and composition of mixed music Olivier Baudouin, Les Studies pour trompette et bande (1974) de Dexter … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=\/wp\/v2\/pages\/60"}],"collection":[{"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=60"}],"version-history":[{"count":22,"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=\/wp\/v2\/pages\/60\/revisions"}],"predecessor-version":[{"id":71,"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=\/wp\/v2\/pages\/60\/revisions\/71"}],"wp:attachment":[{"href":"https:\/\/musiquemixte.sfam.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}